Fun Projects: artists and architecture  

Every now and again work is just amazing. And this week was one of those times – quite a few projects are coming to fruition and things are generally getting exciting. 

 
This morning I was meeting with some Strathclyde Product design students at RSPB Scotland’s reserve at Lochwinnoch. They’ve been working for their forth year project on a structure for a new viewpoint which was created during some recent habitat works. It was so exciting to see how their designs have progressed from our first discussions.   

 The priorities for the designs are that it is an interactive space for families to use, but could also be used to quietly view wildlife and also could be a sheltered meeting point for walks and for school groups. 

 
They had some great ideas that will work really well. Love the rope screens to look through and the modular slottable screens. And the living willow wall. 

  
 
My budget is somewhat frugal for the construction work so the idea is that some of our talented Lochwinnoch volunteers put the structure together so the students are thinking carefully about design and materials. We also have a lot of larch trees to come down on our Wood of Cree reserve in Dumfries and Galloway which will do really well for the in-the-round posts to hold the interchangeable screens. We’ll look at whether we can also use it for the timber for the structure too.  

Then, this afternoon, I received some photos from the reserve manger at Loch Lomond. Oyster Eco are refurbishing a trailer we were given by SNH, an exhibition trailer rather like those they’d try and recruit you to the army in on Buchannan street. It was a bit of a catch actually. And I’m pretty pleased I bagsied it for Loch Lomond before anyone else did.    

 

It’s going to be clad in timber and set in the new car park at the reserve. There will be a wee kitchen inside where volunteers and visitors can get a cup of coffee, and there will be interpretation about the reserve. However bagsying the trailer, getting it to the reserve and generally waving my arms about what we’d like it to be for is pretty much all I’ve done. (Apart from a bit of input on the interpretation for inside). But when I got sent the pictures I felt very proud. It feels like my baby despite me not putting in much of the work. Perhaps it’s what being a Dad feels like. 

  

Then we’ve got a team of four Strathclyde architecture students working on another project at Loch Lomond. A look out point a very short walk from the new car park where people can sit and contemplate, picnic or play. And it will be the start of the new pathway we’re planning around the bluebell wood. It is nearing the end of the design stage and it will be built and in place by May to complement the wee visitor facility. Again, most of the actual work, apart from having the initial conversation and getting them involved, and giving them my ample opinion, has been done by Paula and the reserve team.

   

Then there are the artists in residence about to start at our Mersehead  reserve near Dumfries.  

 I have two PhD students from the Scottish graduate school of the arts and humanities taking part in a funded internship project as part of their PhDs and will spend a month living in the volunteer accommodation at the reserve.  My colleague Fiona will also have an artist in residence  working between Glasgow and our Inversnaid reserve, a spectacular piece of western Atlantic woodland and mountain along the eastern shores of Loch Lomond   

At Meresehead we have Roseanne Watt, a poet and filmmaker with a special  interest in cultural history and peoples stories. Her PhD is based in Shetland , where she is from. 

 
Catherine Weir is a digital artist especially interested in stars and unnatural light and landscapes. Studying for a PhD at Glasgow School of Art. 

 
And in Inversnaid we have Luca Nascutti , a sound artist.  He has who created electronic sound prices incorporating natural sounds which he performs in specific places with dancers. 

  

 This project started as a conversation around a giant fire of pallets on a beach in Canna (see blog about the trip) where I had gone to see Hanna Tuulikki’s work ‘away with the birds’. It turned out most of the people there were artists themselves and that’s where I made contact with Dee Heddon, who was involved in the graduate programme at SGSAH. And yet again, I may have made the first contact, but again it was Fiona who did the work to set up the project. 

  
I took ‘my’ artists to Mersehead for a recee in December. The weather was stunning and the reserve enchanting. I am ridiculously excited about what will come out of these collaborations, despite a certain level of rather dyed-in-the-wood scepticism from some of my colleagues.     

We had a meeting at the end of last week about what will emerge from the artist in residence programme and how to distribute and promote it. A germ of an idea formed. A pod with audio visual equipment to immerse you in another world, that we could transport from city center location to out of town shopping mall to leisure centre, inviting people in to view and to hear the artworks produces at our reserves, to bring the essence of RSPB nature reserves to people, where they are in our cities and to inspire them to visit or to pique their interest in finding out more. 

 
So where will I get this pod from, that will need to go on the back of a small trailer, or fold down into something we can put in the back of  a van?

 

Well, in the absence of SNH getting rid of any more trailers, in the near future, I think I’m going to need to call, very nicely, on Strathclyde university again to lend me some of their very fine students for a project next year. 

 

Dates for the diary: 

Loch Lomond Reserve visitor gateway open from mid April 2016

Sound Artwork performance by Luca Nascutti, Inversnaid,  September 2016

Exhibition by Cathrine Weir and Rosanne Watt, Mersehead October 2016

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